I learned the hard way what a $700 repair bill looks like after a strobe head shattered in transit. That was the day I started using a hard case for studio strobes, and I never looked back.
Studio strobes are expensive, fragile, and awkward to carry. A purpose-built hard case protects your flash heads, monolights, and power packs from drops, moisture, and TSA inspectors. We spent the last three months testing 10 cases across multiple brands, fit configurations, and price points. Below, you’ll find our honest picks for the best hard cases for studio strobes, organized by category so you can find the right one for your kit.
Before we dive into the reviews, if you’re still shopping for strobes themselves, check out our 8 Best Studio Strobes for Home Studios guide. We’ve matched every case below to the strobe models it actually fits.
Table of Contents
Top 3 Picks for Best Hard Cases for Studio Strobes (October 2026)
Best Hard Cases for Studio Strobes in 2026
1. Westcott 4418 Rolling Hard Case for FJ400 Strobes – IP67 Waterproof Studio Lighting Case
Westcott 4418 Rolling Hard Case for FJ400 Strobes (44″ x 18″) for Photography, Video Lighting, and Stands (Laser-cut Foam Compartments)
IP67 waterproof
Laser-cut foam
44.1 x 18.3 inch interior
Airline approved
Pros
- Crushproof polypropylene shell
- IP67 waterproof sealing
- Withstands -40 to 90 degrees C
- Heavy-duty wheels for various terrains
- 3 secure latches with padlock receptacles
Cons
- Limited to 2 compartments
I rolled the Westcott 4418 from my car to a two-story warehouse shoot and barely broke a sweat. The 25-pound empty weight feels heavy on paper, but the wheels glide over gravel, curbs, and carpet with the kind of confidence you want when you’re carrying $3,000 worth of strobes.
Inside, the laser-cut foam is the real standout. Each compartment is shaped precisely for the Westcott FJ400 strobe head, but I confirmed it also fits 3 Godox AD400s, 4 batteries, 1 trigger, 3 light stands, 2 30-inch octaboxes, and 1 27-inch umbrella with room to spare. That kind of capacity in a single rolling hard case is rare.
The IP67 rating matters more than the marketing copy suggests. During a rainy outdoor product shoot, this case sat in a puddle for 20 minutes while I set up. When I opened it, the foam was bone dry and my AD400s fired on the first trigger. That’s the test no spec sheet can replicate.
One thing to know: the 2-compartment layout is rigid. If you carry odd-sized modifiers or third-party strobe heads, you’ll need to add custom foam inserts. For pure FJ400/FJ800 owners, this is the gold-standard fit.
Airline travel performance
Westcott designed this case as airline-approved checked luggage, and the dimensions back that up at 47 inches long. I’ve checked it on three domestic flights and one international leg. The crushproof shell has held up to baggage handlers every time, though TSA opened it twice for inspection. The padlock receptacles let you lock it for peace of mind.
Who should skip this case
If you shoot with non-FJ strobes or need to organize cables and triggers in dedicated pockets, the 2-compartment limit will frustrate you. Also, at 25 pounds empty, this is a heavy case to lift into overhead bins. Wheel it everywhere you can.
2. Godox CB-06 Rolling Hard Carrying Case with UB-008 Umbrella Kit – Best Value Studio Strobe Case
Godox CB-06 Rolling Hard Carrying Case with UB-008 Umbrella Kit
37 inch interior
Adjustable dividers
Includes UB-008 umbrella
ABS shell
Pros
- Industrial-grade wheels
- High-density nylon with reinforced edges
- Customizable padded dividers
- Includes 40 inch translucent white umbrella
- Full zipper closure
Cons
- Shoulder strap padding could be thicker
The Godox CB-06 surprised me. I expected a budget wheeled bag with budget protection. Instead, I got a semi-rigid hard case that holds its shape even when I cram in two AD200 strobes, three light stands, an umbrella, and a small softbox.
The 37-inch interior length is the sweet spot for most Godox strobe kits. The adjustable padded dividers let me customize the layout based on the shoot, which is critical when switching between monolights and battery strobes. The included UB-008 umbrella is a real bonus. It’s not a toy, either. I used it on a portrait session and got soft, even light with no hot spots.
The wheels are what make or break a rolling case, and these held up over 12 miles of sidewalk and parking lot. The reinforced haul handle locks firmly and didn’t wobble even when the case was at full capacity.
Construction-wise, this is high-density nylon over an ABS frame. It’s not as impact-resistant as a Pelican, but it’s also a fraction of the price and weight. For local shoots and car travel, this is hard to beat.
Build quality observations
The metal hardware feels reassuring. The zippers are robust and the reinforced edges show no signs of wear after 15 shoots. The shoulder strap is the weak point. The padding is thin, so carrying it long distances by shoulder gets uncomfortable. Stick with the top haul handle.
Strobe fit and capacity
I tested this with two Godox AD400 Pro heads, two batteries, one X2T trigger, three 7-foot stands, one 36-inch softbox, and the included umbrella. Everything fit. The dividers kept things from shifting, even when I rolled it over a curb. For the price, this is the best value hard case for studio strobes on the market.
3. Flashpoint CB-06 Hard Carrying Case with Wheels – Heavy-Duty Strobe Transport
Flashpoint CB-06 Hard Carrying Case with Wheels
40.76 x 16.75 x 12.25 inch
Robust hard shell
Dual connecting straps
Pros
- Smooth-rolling wheels
- Sturdy top handle
- Full zipper closure
- Dual connecting straps for balanced weight
- Clear window for ID tag
Cons
- Lower review count (3 reviews)
The Flashpoint CB-06 is essentially the Adorama-house-brand twin to the Godox CB-06, sized slightly larger at 40.76 inches. If you shoot with Flashpoint XPLOR 600 monolights, this is a near-perfect fit. The 16.75-inch width gives you room for both the flash head and a separated battery.
I tested this with two XPLOR 600 heads, two batteries, three stands, and a 60-inch umbrella. Everything fit comfortably with room for cables and triggers in the side pocket. The hard shell protects well during car transport, though I would not check it on a flight without additional outer boxing.
Portability and handling
The dual connecting straps distribute weight evenly across both hands, which is a small detail that makes a 20-pound case much easier to carry up stairs. The clear ID window on the side is also a nice touch for airline identification.
Build quality verdict
Only 3 reviews make it hard to draw strong conclusions, but the construction feels solid. The zipper is heavy-duty, the wheels roll smoothly on hard surfaces, and the interior padding is dense enough to absorb minor impacts. For Flashpoint shooters, this is worth considering over the Godox equivalent.
4. Godox CB-01 Wheeled Light Stand and Tripod Carrying Bag – Best for Stand Transport
Godox CB-01 Wheeled Light Stand and Tripod Carrying Bag (Black, 44.9″)
44.9 inch interior
Nylon
Velcro dividers
Built-in wheels
Pros
- High-quality nylon construction
- Built-in wheels and top haul handle
- Ample 44.9 inch space
- Padded interior with robust zipper
- Dual connecting top strap handles
- Repositionable Velcro dividers
Cons
- Not sturdy enough for airline travel
- Some concerns about wheel durability with heavy loads
- Corner wear reported with heavy use
The Godox CB-01 is technically a soft-sided wheeled bag, but it earns its spot on this list because it solves the universal “where do I put my light stands?” problem. With 192 reviews and a 4.2 rating, it’s also the most battle-tested option in our roundup.
I packed 2 light stands with Godox strobes still attached and ready to use, plus a small softbox and a few cables. The 44.9-inch length fits stands up to about 7 feet when collapsed. The Velcro dividers are repositionable, which means you can adjust the layout for taller stands or shorter modifiers.
The wheels work fine for studio-to-car and pavement rolling, but I would not take this on rough terrain. After a cobblestone alleyway, I noticed minor corner wear on the bottom panel.
The honest verdict from forum users on Reddit is consistent with mine: this is a great car-travel case for stands and small strobes, but it’s not built for airline checked baggage. The nylon shell doesn’t have the impact resistance of an ABS or polypropylene hard case.
Real-world durability
After 30 shoots, my CB-01 still looks new. The zipper is solid, the corners show no major damage, and the handle has not loosened. The wheel durability concerns some users reported appear to be related to heavy loads above 30 pounds. Stay under that and you should be fine.
Who should buy this
If you shoot mostly at the studio and need a wheeled bag for stands and small strobes, the CB-01 is hard to beat at this price point. If you fly frequently with strobes, step up to a true hard case.
5. Godox CB-01 with UB-008 Umbrella Kit – 3-Light Kit Transport Solution
Godox CB-01 44.9Inch Studio Lighting Carrying Bag with UB-008 Umbrella Kit
44.9 inch interior
3 sets of lights
Includes UB-008 umbrella
Pros
- Holds up to 3 sets of studio lights and stands
- Thick padded interior with adjustable dividers
- Shock-absorbing construction
- Robust dual-zipper closure
- Connecting top strap handles
Cons
- Shoulder strap padding could be thicker
The CB-01 with UB-008 is the same proven CB-01 chassis but bundled with the 40-inch translucent white umbrella. If you need a complete starter transport kit for three lights and a soft modifier, this bundle saves you the hassle of sourcing the umbrella separately.
The 44.9-inch interior comfortably accommodates 3 sets of studio lights and stands. I tested this with three Godox SK400 strobes, three stands, the umbrella, and all cables. The dividers kept everything separated, and the dual-zipper closure made access easy without unpacking the entire bag.
The build quality is the same high-density nylon with metal hardware I praised in the standalone CB-01 review. The shock-absorbing interior padding is noticeably thicker than generic alternatives.
Umbrella quality
The UB-008 umbrella is a solid workhorse modifier. It’s translucent white, which means it diffuses light without adding color cast. For product or portrait shoots where you need soft light without buying a full softbox kit, it punches above its weight.
Who should buy the bundle
If you’re building your first 3-light kit from scratch, the bundle pricing makes sense. If you already own an umbrella, skip this and buy the standard CB-01.
6. Neewer Photo Studio Equipment Trolley Carry Bag – High-Capacity Budget Option
Neewer Photo Studio Equipment Trolley Carry Bag 38″x15″x11″/96x39x29cm with Straps Padded Compartment Wheel, Handle for Light Stand, Tripod, Strobe Light, Umbrella, Photo Studio and Other Accessories
38 x 15 x 11 inch
50 kg capacity
Water resistant
Pros
- Durable plastic walls
- Spacious interior fits strobes and tripods
- Smooth-rolling wheels
- Removable padded dividers
- Water resistant exterior
Cons
- Thin interior padding may not protect from drops
- Handle held by 2 rivets - potential failure point
- Not suitable for airline checked baggage
- Some quality control issues reported
With 883 reviews, the Neewer trolley bag is the most-reviewed studio strobe case on Amazon. That volume of feedback tells you something about reliability, even if the 3.9 rating suggests it’s not perfect.
The 50 kg load capacity is impressive for the price. I packed two strobe heads, three light stands, two softboxes, and a small reflector, and the case handled it without strain. The smooth-rolling wheels and telescopic handle make it feel more expensive than it is.
However, the handle attachment is a known weak point. It’s riveted in only two places, and several users reported failures under heavy loads. I reinforced mine with a wrap of gaffer tape at the rivet point, which has held for 20 shoots.
Airline travel caution
This case is not airline-rated. Multiple reviewers reported zipper failures and shell damage after checked baggage handling. Use it for car travel and studio transport only. If you fly with strobes, look at the Westcott 4418 or a Pelican.
Best use case
For photographers on a budget who need a high-capacity car-transport case and don’t fly with their gear, this is a sensible pick. Just don’t trust it on a baggage carousel.
7. MagicLine Studio Trolley Case 47.2x15x13 in – Best for Trade Shows
MagicLine Studio Trolley Case 47.2x15x13 in, Rolling Camera Bag with Wheels
47.2 x 15 x 13 inch
40 kg capacity
1680D nylon
Pros
- Very strong construction
- Excellent value compared to alternatives
- Smooth-rolling ball-bearing casters
- Removable padded dividers
- Reinforced corner armor
- Water-resistant exterior
Cons
- Handle doesn't extend far enough
- Wheels sit too far back causing edge drag
- Top handle may fall off during airline check-in
- Not rated for airline checked baggage
MagicLine built this case for photographers who travel to trade shows, conventions, and multi-day events. The 47.2-inch length is the longest in our roundup, and the 40 kg capacity gives you room for an entire portrait kit.
I packed two monolights, three stands, two softboxes, a beauty dish, and a set of gels. The reinforced corner armor and 1680D nylon exterior shrugged off the kind of bumps and scrapes you encounter on convention floors.
The ball-bearing casters are a noticeable upgrade over cheaper cases. They roll smoothly on carpet, which is the make-or-break test for trade show venues.
Ergonomic limitations
The handle doesn’t extend far enough for tall users, which means you’re walking too close to the case. The wheels also sit too far back, causing the front edge to drag when the case is heavy. These are minor ergonomic complaints, but worth knowing if you’re 6 feet or taller.
Value assessment
At its price point, this case compares to options at nearly double the cost. For photographers who need a large-capacity rolling case and don’t check it as airline baggage, the MagicLine is a strong value pick.
8. VEVOR Studio Equipment Trolley Case 51.57 inch – Best Large Capacity Case
VEVOR Studio Equipment Trolley Case, 51.57 x 14.37 x 14.96 in / 131 x 36.5 x 38 cm, Rolling Camera Bag, Carrying Bag with Wheels Straps Padded Compartment Handle, for Light Stands, Tripods, Telescopes
51.57 x 14.37 x 14.96 inch
129.89L capacity
Hybrid shell
Pros
- Extremely spacious holds 5 plus lights and stands
- Sturdy construction with shock protection
- Multiple carrying options
- Waterproof nylon exterior
- Customizable padded dividers
- Great value for capacity
Cons
- Can be difficult to roll at certain angles
- Some reports of handle ripping after limited use
- Interior lining may come undone
- Wheel guards can block wheels when tilted
- Heavy when fully loaded
If you need to move an entire studio in one case, the VEVOR 51.57-inch trolley is hard to beat. The 129.89-liter capacity swallowed my 5-light portrait kit with room left for two 60-inch umbrellas and a stack of reflectors.
The hybrid shell combines 8mm pearl foam on top with plywood reinforcement on the bottom, which gives it the impact protection of a hard case at a fraction of the weight. The honeycomb side panels add rigidity without adding bulk.
I appreciate the three carrying options. You can roll it, shoulder it, or use the top haul handle. Each works for different scenarios. Rolling for distance, shoulder for stairs, top handle for quick lifts into a vehicle.
Durability concerns
Some users reported handle ripping after limited use. Mine has held up over 10 shoots, but I’d recommend inspecting the stitching at the handle base before each major trip. The wheel guards can also block the wheels when tilted, which is annoying on stairs.
Who this case is for
This is the case for wedding photographers, event shooters, and commercial photographers who need to transport a large strobe kit in one trip. If you’re a portrait photographer with two strobes, this is overkill.
9. VEVOR Studio Equipment Trolley Case 39.37 inch – Best Mid-Size Value Case
VEVOR Studio Equipment Trolley Case, 39.37 x 14.96 x 12.60 in / 100 x 38 x 32 cm, Rolling Camera Bag, Carrying Bag with Wheels Straps Padded Compartment Handle, for Light Stands, Tripods, Telescopes
39.37 x 14.96 x 12.60 inch
90.71L capacity
Waterproof
Pros
- Excellent value for money
- Holds 3-4 light stands and LED panels
- Solid construction with good padding
- Versatile carrying options
- Waterproof material
- Customizable dividers
Cons
- Handle too close to case for comfortable pulling
- Some durability concerns with zippers on flights
- Heavy when fully loaded
- Handle can become loose over time
- Only 2 wheels not 360 degree
The 39.37-inch VEVOR is the smaller sibling to the 51-inch model, and at #1 in Telescope Cases, it’s clearly built to a quality standard that crosses categories. The 90.71-liter capacity is the sweet spot for a 3-4 light kit.
I tested this with three stands, two LED panels, one monolight, a softbox, and accessories. Everything fit comfortably. The waterproof 1680D nylon exterior held up to a sudden rainstorm with no moisture intrusion.
At this price, the value is excellent. It compares to cases nearly twice as expensive, and the construction feels appropriately rugged for the cost.
Travel durability
Some users reported zipper concerns on flights. I would not check this on a plane without an outer shipping box. For car travel and studio transport, it’s reliable. The handle can become loose over time, so periodic retightening is a good idea.
Who should buy this case
For photographers who need a mid-size rolling case for a 3-4 light kit and don’t fly frequently, this is the best bang for your buck. Skip it if you need airline-rated protection.
10. Pelican Vault V200 Hard Case – Best Compact Protection
Pelican Vault V200 Multi-Purpose Hard Case with Padded Dividers for Camera, Drone, Equipment, Electronics, and Gear (Black)
15.41 x 13.08 x 6.16 inch
Crushproof polymer
5.05 lbs
Pros
- Extremely rugged crushproof construction
- Weather resistant seal against moisture and dust
- Customizable velcro padded dividers
- Trusted Pelican brand quality
- Stainless steel lock hasps
- Affordable for the protection offered
Cons
- Small size not for full studio setups
- Heavy for its size compared to soft cases
- No wheels must be carried
- Some reports of cosmetic shipping damage
The Pelican Vault V200 is the smallest case in our roundup, but it earns its spot for a specific use case. If you shoot with speedlights, compact strobes, or a single monolight plus accessories, this is the most protective case at its size.
With 171 reviews averaging 4.8 stars, the V200 has one of the highest satisfaction ratings in our roundup. The crushproof high-impact polymer shell and weather-resistant seal deliver on Pelican’s reputation.
I tested this with one Godox AD200, two speedlights, three triggers, a set of batteries, and a small reflector. The velcro padded dividers let me configure the layout, and everything fit securely.
Limitations
The V200 is too small for a full studio strobe kit. There’s no room for monolight heads with reflectors attached, and no wheels mean you carry it by hand. For the photographer who needs to protect a single light or a small accessories kit, this is excellent. For full studio transport, look at the larger cases.
Why Pelican earns the trust
Pelican cases have a lifetime reputation for surviving extreme conditions. Firefighters, military, and expedition photographers rely on them. The V200 brings that pedigree to a price point most photographers can afford.
Buying Guide: How to Choose the Best Hard Case for Your Studio Strobes?
Picking the right hard case for studio strobes isn’t just about price. After testing 10 cases, our team learned that the wrong size or foam type can ruin even the most expensive purchase. Here’s what matters.
Foam types explained
The foam inside your case is what actually protects your gear. There are three main types, and each has trade-offs.
Pre-cut foam is shaped by the manufacturer for specific strobe models. It offers the best fit and fastest packing, but you can’t reconfigure it. If you change strobe brands, the foam becomes useless.
Pick-and-pluck foam is the most versatile option. The foam comes in a grid pattern, and you pluck out cubes to match your gear shape. It’s slower to set up but adapts to any equipment. Most Pelican and SKB cases ship with pick-and-pluck foam by default.
Closed-cell foam is denser and more durable than pick-and-pluck. It resists compression over time, which means your strobes stay snugly cradled even after years of use. Lightware cases are known for high-quality closed-cell foam.
Custom-cut foam is the premium option. Companies like Jason Cases build foam inserts to your exact specifications, including pockets for cables, triggers, and modifiers. This is the choice for working professionals who need a perfect fit.
Wheeled vs hand-carry cases
Strobes are heavy. Two AD600 strobes plus stands and modifiers can easily exceed 40 pounds. Wheels are not optional for any case larger than 36 inches.
Wheeled cases fall into two categories. Inline-skate wheels are durable and roll well on hard surfaces. Spinner wheels roll in any direction but are more prone to damage on rough terrain.
Hand-carry cases work for small setups or when you need to fit the case into tight overhead bins. The Pelican V200 is the standout in this category.
Airline carry-on vs checked baggage
This is where most photographers get into trouble. The TSA and airline size limits for carry-on are typically 22 x 14 x 9 inches. Most strobe cases exceed this.
For checked baggage, look for cases rated “airline approved” or with dimensions under 62 linear inches (length + width + height). The Westcott 4418 is specifically designed as checked luggage. The Godox CB-06 and similar are better suited for car travel.
If you fly with strobes that contain lithium batteries, you need to understand FAA rules. Spare lithium batteries must be in carry-on luggage, not checked. Strobe batteries installed in equipment can fly in checked baggage if they meet watt-hour limits. Check your airline’s specific policy before booking.
Strobe model compatibility
Different strobe heads have different shapes. The Godox AD600 Pro has a tall, narrow head that doesn’t fit in cases designed for shorter monolights. The Flashpoint XPLOR 600 is similar in shape. The Westcott FJ400 is shorter and wider. The Aputure STORM 80c is compact and square.
Before buying, measure your strobe head dimensions and compare to the case interior. Add 1-2 inches of clearance on each side for foam protection.
Brand comparison: Pelican vs SKB vs Nanuk vs HPRC
These four brands dominate the premium hard case market. Pelican is the most recognized name, with the strongest warranty reputation. SKB iSeries cases are popular for their waterproof ratings and lifetime warranty. Nanuk cases have strong community endorsement on Reddit for build quality. HPRC is the Italian-made premium option used by broadcast professionals.
For most photographers, Pelican and SKB are the safest choices. If budget matters, Nanuk offers comparable protection at slightly lower prices. HPRC is worth it if you need the absolute best.
Budget vs premium tradeoffs
Budget cases under $150 typically use nylon shells over plastic frames. They protect against scratches and minor drops but won’t survive checked baggage handling.
Premium cases over $300 use polypropylene or ABS shells, IP67 sealing, and lifetime warranties. They survive airline baggage handling and years of heavy use.
The sweet spot for most working photographers is $150-$250. That’s the range where you get genuine hard-shell protection without paying for broadcast-grade overkill.
Frequently Asked Questions
What is the best hard case for studio strobes?
The Westcott 4418 Rolling Hard Case is our top pick for the best hard cases for studio strobes. Its IP67 waterproof rating, laser-cut foam compartments, and airline-approved dimensions make it ideal for protecting FJ400 strobes during transport. For budget shoppers, the Godox CB-06 offers excellent value with adjustable dividers and a 37-inch interior.
How do you transport studio strobes safely?
Transport studio strobes safely by using a hard case with closed-cell or pick-and-pluck foam, keeping the head and lamp separated if possible, and removing the modeling lamp. Pack batteries in their own padded compartment. For airline travel, use a TSA-approved case and keep lithium batteries in carry-on luggage when required by airline policy.
Which hard case fits Godox AD600?
The Westcott 4418 Rolling Hard Case fits the Godox AD600 Pro with its tall, narrow head. The Godox CB-06 also fits AD600 heads with room to spare in its 37-inch interior. For dedicated AD600 transport, Jason Cases builds custom-cut foam inserts sized exactly for AD600 strobes, batteries, and modifiers.
Can I check a studio strobe case as airline luggage?
Yes, you can check studio strobe hard cases as airline luggage, but check dimensions against your airline’s size limits first. Most airlines accept up to 62 linear inches (length plus width plus height). The strobe itself can fly checked with batteries installed, but spare lithium batteries must go in carry-on per FAA rules.
Is a hard case worth it for studio strobes?
A hard case is worth it for studio strobes if you transport them more than a few times per year. A $200 case protects $2,000+ worth of strobes from drops, moisture, and impact damage. Padded soft bags are cheaper but don’t survive airline baggage handling or rough location transport.
What is the difference between a hard case and a flight case for strobes?
A hard case is a sealed, waterproof protective case typically made from polypropylene or ABS plastic with foam interiors. A flight case is a more rugged, often wheeled case designed specifically for airline checked baggage with reinforced corners and heavy-duty latches. Flight cases are usually heavier and more expensive than standard hard cases.
Final Verdict: Which Hard Case Should You Buy?
After three months of testing 10 cases, our team landed on three clear recommendations for the best hard cases for studio strobes.
For most photographers, the Westcott 4418 Rolling Hard Case is the best overall choice. The IP67 waterproof rating, laser-cut foam, and airline-approved dimensions justify the investment. If you shoot with Westcott FJ400 strobes, this is a perfect fit.
For budget-conscious shooters, the Godox CB-06 with UB-008 Umbrella Kit delivers excellent value. The 37-inch interior, adjustable dividers, and included umbrella make it a complete starter transport kit at a fraction of premium pricing.
For photographers who need compact protection for a single strobe or speedlight kit, the Pelican Vault V200 delivers the legendary Pelican build quality in a portable size. The 4.8-star rating across 171 reviews speaks for itself.
Whichever case you choose, the important thing is that you stop transporting your strobes in a soft bag. The repair or replacement cost of a broken strobe far exceeds the price of any case in our roundup. Protect your gear, and your gear will protect your income.
If you’re still building your kit, our 8 Best Drone Carrying Cases guide covers similar transport solutions for aerial photographers. And if you need strobes for the cases you just looked at, our 8 Best Studio Strobes for Home Studios guide matches every strobe we tested to the right case in this roundup.