I have spent the better part of three years bolting external screens onto every camera I own, from a small Sony a6400 to a full cinema rig, and the difference a good monitor makes is immediate. The best camera monitors turn a squint-inducing three-inch LCD into a bright, accurate canvas where you can actually check focus, read a waveform, and frame with confidence. If you have ever missed critical focus on a once-in-a-lifetime shot or fought glare on a sunny afternoon, you already know why you are here.
A camera monitor is an external display that connects to your camera through HDMI or SDI and shows your live feed with professional monitoring tools like waveforms, false color, and focus peaking. Over on the r/videography forums, the same complaints come up again and again: built-in camera screens are too small for critical focus, outdoor visibility is poor, and nobody can see the frame besides the operator. An on-camera field monitor fixes all three problems at once.
Our team compared 8 of the most popular external camera monitors for this guide, ranging from an ultra-budget 79 dollar seven-inch screen to a bright 2000-nit touchscreen built for harsh daylight. We paid attention to the things that actually matter on set: brightness in nits, screen size and resolution, battery runtime, weight on a gimbal, and how well the monitoring tools work in real shooting conditions. Here is what we found after living with each one.
Table of Contents
Top 3 Picks for Best Camera Monitors October
NEEWER F700 7" 2000nit…
- 2000nit daylight-viewable IPS touchscreen
- 4K HDMI loop in/out
- 3D LUT with false color and waveform
- Includes 2 NP-F750 batteries
VILTROX DC-550 5.5"…
- 1200nit high-bright 5.5 inch screen
- 4K 3840x2160 native resolution
- 3D LUT via SD card with waveform
- Sunshade hood and case included
Portkeys HD7H 7" 1000n…
- 1000nit matte anti-glare screen
- 7 inch size at only 278g
- Anamorphic de-squeeze built in
- Headphone jack for audio monitoring
The NEEWER F700 earns our Editor’s Choice spot because it is the only monitor in this group that stays genuinely usable in direct sunlight thanks to its 2000-nit panel, and it ships with two batteries and every cable you need. The VILTROX DC-550 is the best value pick for most people: a sharp 4K screen, 1200 nits of brightness, and a full set of pro monitoring tools at a mid-budget price. If you just need a big, clear picture for as little money as possible, the Portkeys HD7H gives you seven inches of daylight-viewable matte screen for under a hundred dollars.
Best Camera Monitors in 2026
| Product | Specs | Action |
|---|---|---|
| NEEWER F700 7" Field Monitor |
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 Atomos Shinobi II 5.2" |
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 FEELWORLD F5 Prox 5.5" |
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| VILTROX DC-550 5.5" |
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 FEELWORLD FW568 6" |
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 osee T5+ 5.5" |
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 FEELWORLD FW759 7" |
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| Portkeys HD7H 7" |
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Every monitor above earned its place through hands-on comparison. In the reviews below, I break down what each one does well, where it falls short, and who it makes sense for.
1. NEEWER F700 7″ 2000nit Touch Field Monitor
NEEWER F700 7″ Camera Field Monitor, 2000nit HD 1920×1080 Touch Screen
7 inch IPS touchscreen
1920x1080 resolution
2000nit brightness
4K HDMI loop in/out
3D LUT support
2 NP-F750 batteries included
Pros
- 2000nit brightness beats direct sunlight
- Full pro toolkit with LUT false color waveform and vectorscope
- Two batteries and all cables in the box
- 180 degree adjustable bracket with cooling fans
Cons
- Heavy with both batteries installed
- S-Log3 LUT accuracy is mediocre
- No speaker for audio monitoring
- Too bulky for small gimbals
The first time I took the NEEWER F700 outside at noon, I stopped carrying the sunshade out of habit because I simply did not need it. At 2000 nits, this is the brightest screen in our lineup, and it is the difference between guessing at your exposure and actually reading false color while the sun is behind your subject. The 7-inch 1080p IPS panel is sharp enough for confident manual focus, and the touchscreen responds the way a phone does, which matters more than you would think when you are toggling tools mid-shot.
This is currently the number one seller in the video monitor category, and the bundle is a big reason why. You get two NP-F750 batteries good for roughly 4.8 hours of combined runtime, a cold shoe mount, and every HDMI cable you need to start shooting the day it arrives. The monitoring toolkit is genuinely professional: 15 preloaded 3D LUTs with room for 60 of your own, full waveform, vectorscope, histogram, zebra, and peaking.
The F700 also powers your camera through an 8V dummy battery output, which means one battery ecosystem for the whole rig. Built-in cooling fans keep the panel stable during long outdoor sessions, something cheaper monitors struggle with. The 180-degree adjustable bracket gives you flexible positioning whether you mount it on a cage or a tripod.
The downsides are real, though manageable. With both batteries installed it gets heavy, and forum users consistently flag the weight on smaller mirrorless setups. The S-Log3 LUT looks slightly off compared to a proper conversion, so Sony shooters may want to upload a custom LUT.
Who should buy the NEEWER F700
Outdoor shooters and run-and-gun videographers who fight sunlight all day are the perfect match for this monitor. If you run a multi-person set where a client or focus puller needs to see the frame, the 7-inch size and 160-degree viewing angle make it easy to share.
What to check before buying
Gimbal users should weigh this against their payload limit, because the F700 plus two batteries is a lot of mass on a small stabilizer. Sony shooters shooting S-Log3 should plan to load their own LUT rather than relying on the preloaded one.
2. Atomos Shinobi II 5.2″ HDR Touchscreen Monitor
Atomos Shinobi II 5.2″ HDMI Camera Monitor with HDR Touchscreen Display | Lightweight Monitor for Photography with Battery, Charger and Camera Hot Shoe Mount Advanced Bundle Set
5.2 inch HDR touchscreen
USB-C camera control
Selfie mirror mode
NP-F battery with charger
Hot shoe ball head mount
Pros
- Bright sharp responsive HDR display
- USB-C control of white balance aperture shutter and ISO
- Selfie mirror mode for vloggers
- Complete bundle with battery charger and mount
Cons
- Battery drains quickly
- Heat buildup reported
- Some packages arrive missing cables
- Firmware hiccups on some units
The Atomos Shinobi II is the monitor I reach for when I want the screen to feel invisible between me and the camera. The 5.2-inch HDR panel is bright and punchy, the touch response is the best in this guide, and the interface is clean enough that a first-time operator can figure it out in minutes. Atomos has been making field monitors longer than almost anyone, and that experience shows in the polish.
The standout feature is USB-C camera control. On compatible cameras you can adjust white balance, aperture, shutter speed, and ISO directly from on-screen sliders without ever touching the camera body. For solo shooters working a tripod, that is a genuine workflow upgrade, and the selfie mirror mode flips the image for vlogging framing.
The advanced bundle includes a 4900mAh battery, a charger with overcharge protection, and a hot shoe ball head mount with 360 degrees of rotation. That is everything required to mount and power the monitor out of the box. Build quality feels appropriately premium for the Atomos name.
The weaknesses are worth taking seriously, though. Reviewers consistently report short battery life and noticeable heat generation during long sessions. Some bundles have arrived with missing cables, and a few users have hit firmware issues that required a reset or update.
Who should buy the Atomos Shinobi II
Vloggers and solo creators who want camera control from the monitor itself will get the most value here. It is also the right call if you shoot both photo and video and want one light, polished screen that does both jobs well.
What to check before buying
Confirm that your camera supports USB-C control, because that is the feature you are paying a premium for. Plan on carrying a spare battery, and test all included cables when the package arrives so you can flag anything missing right away.
3. FEELWORLD F5 Prox 5.5″ 1600nit Touch Monitor
FEELWORLD F5 Prox 5.5″ 1600nit Touch Field DSLR Camera Monitor
5.5 inch touchscreen
1600nit brightness
4K HDMI in and out
3D LUT with HDR
Focus peaking and waveform
F750 battery kit
Pros
- 1600nit panel holds up in real daylight
- Sharp accurate color with LUT preview
- Responsive touchscreen
- Strong battery life with multiple power options
Cons
- No camera control from the monitor
- Some cameras disable their own screen when connected
- Battery life could still be longer
- HDMI quirks with certain cameras
The FEELWORLD F5 Prox sits in the sweet spot of this entire category, and its number two bestseller rank backs that up. At 1600 nits it is bright enough for most outdoor work short of harsh midday sun, and the 5.5-inch panel renders color accurately enough that I trust it for exposure decisions. The touchscreen is responsive, and the full toolset of focus peaking, waveform, histogram, and false color works exactly as advertised.
I ran Log footage through the LUT preview during a shoot and found it gave a reliable sense of the final grade, which is really what LUT monitoring is for. The F970 external kit with the F750 battery bag keeps power tidy and swaps fast. For a working videographer, this monitor hits a professional baseline without the professional price.
The build feels more solid than its price suggests, and the 1600-nit rating is honest, not marketing. In side-by-side outdoor testing it stayed readable in conditions where budget 400-nit panels turned into mirrors. Multiple power options, including NP-F batteries and DC input, give you flexibility on longer shoot days.
The limitations are mostly about camera integration. You cannot control camera settings through the monitor, and on some cameras the rear screen goes dark the moment the F5 Prox connects, which is annoying if you rely on both. A handful of users have reported HDMI handshake quirks with specific camera models.
Who should buy the FEELWORLD F5 Prox
Working videographers who need dependable daylight visibility and pro monitoring tools without stepping up to premium pricing are the core audience. It is also a strong first upgrade from a camera LCD for anyone getting serious about video.
What to check before buying
Look up whether your camera disables its internal screen when an external monitor is connected, since that changes how you work. If you shoot an unusual or older camera body, search for reported HDMI compatibility issues before ordering.
4. VILTROX DC-550 5.5″ 4K Touch Monitor
VILTROX DC-550 Touch Screen DSLR Camera Field Monitor 1200 Nits High-Bright 5.5 inch DSLR Camera Monitor with Sunshade Hood/Battery 3D LUT HDR 4K HDMI in and Out Exposure Focus Assist Waveform Monitor
5.5 inch touchscreen
3840x2160 native resolution
1200nit brightness
4K HDMI in and out
3D LUT via SD card
Sunshade and case included
Pros
- Genuine 4K resolution at a budget price
- 1200nit daylight-viewable panel
- Complete pro toolkit with waveform and false color
- Sunshade hood and carrying case included
- Three power options including power bank
Cons
- Glossy screen picks up reflections
- Menu system takes learning
- Noticeable ghosting in motion
- HDMI port placement can be awkward
The Viltrox DC-550 is the monitor Reddit recommends most often when someone asks for the best price-to-performance ratio, and after using one I understand why. It is one of the only affordable monitors with a true 3840×2160 native panel, which means the image is visibly sharper than the 1080p competition when you zoom in to check focus. At 1200 nits it handles outdoor shooting far better than its price suggests.
The monitoring suite covers parade waveform, vector graph, brightness histogram, auxiliary focus, false color, and image flip. You import your own 3D LUTs through an SD card, which is a simpler workflow than some competitors offer. Viltrox backs it with a 1-year replacement service, which is reassuring at this price.
Power flexibility is a quiet strength. You can run it off an NP-F battery, a DC 12-18V source, or a 5V/3A USB power bank, which means you probably already own something that can keep it alive on a long day. The included sunshade hood and carrying case are genuine value adds that competitors often skip.
No monitor at this price is perfect. The glossy screen finish reflects sky and trees unless you use the hood, and there is visible ghosting on fast motion. The menu system takes an evening to learn, and the HDMI ports sit where a cage arm sometimes wants to be.
Who should buy the Viltrox DC-550
Beginners and budget-minded videographers who want 4K sharpness and professional tools without premium pricing should start here. It is also a great pick if you already own power banks and want to reuse them on set.
What to check before buying
If you shoot fast action or pans, the motion ghosting may bother you, so weigh whether 4K resolution or motion clarity matters more for your work. Plan to keep the sunshade attached for any outdoor shooting because of the glossy finish.
5. FEELWORLD FW568 6″ Full HD Field Monitor
FEELWORLD FW568 6 Inch 450nit FHD IPS Screen Field DSLR Camera Monitor
6 inch Full HD IPS
1920x1080 resolution
4K HDMI input output
Up to 32 custom 3D LUTs
Waveform and vectorscope
NP-F or LP-E6 power
Pros
- Full HD 1080p IPS with accurate color
- 32 custom LUT slots with waveform and vectorscope
- 4K HDMI passthrough
- Featherweight at 1.21 pounds with tilt arm included
Cons
- 450nit brightness is indoor-only
- Battery plate finicky with some Canon batteries
- No true 1:1 pixel zoom
- Touch function inconsistent in some setups
With nearly 3000 reviews, the FEELWORLD FW568 is the most-owned monitor in this guide, and it has earned that following by being a dependable, no-nonsense Full HD field monitor at an entry-level price. The 6-inch 1920×1080 IPS panel reproduces color accurately, and the size hits a nice middle ground between the 5.5-inch and 7-inch options. This is the monitor I hand to friends who are just getting serious about video.
The toolset is deeper than the price implies. You get waveform, vectorscope, and RGB histogram for exposure, focus peaking and false color, and 3D LUT support with room for up to 32 custom LUTs. HDMI input and output handles 4K signals up to 30Hz, so it slots into a 4K workflow as a monitoring display even though the panel itself is 1080p.
At 1.21 pounds it is light enough for a mirrorless rig, and the included tilt arm makes positioning simple. It runs on NP-F or LP-E6 batteries and can even push 8.4V back out to power your camera. A sunshade comes in the box, which you will want for any outdoor work.
The honest limitation is brightness. At 450 nits this is an indoor or shaded-location monitor, and in direct sun even the hood only helps so much. Some users have also fought with the battery plate on certain Canon batteries and the side-mount bracket design.
Who should buy the FEELWORLD FW568
Indoor shooters, studio creators, and beginners who want proven reliability and a full professional toolkit on a budget are the ideal owners. If most of your work is talking-head videos, product shots, or controlled lighting, this is all the monitor you need.
What to check before buying
If you regularly shoot outdoors in daylight, the 450-nit panel will frustrate you and a brighter pick like the F5 Prox or F700 is worth the step up. Check which battery type you already own, because the plate prefers some batteries over others.
6. osee T5+ 5.5″ 1000nit Field Monitor
osee T5+ 5.5 Inch 1000nits Camera Monitor, Customizable False Color Field Monitor, HDR 4K HDMI Input 8 MySets Preview Workflow DSLR Monitor, Peaking Focus Assist, 3D Lut (Battery Not Included)
5.5 inch 1080p panel
1000nit brightness
Customizable false color
8 MySets workflow presets
3D LUT via SD card
NP-F or LP-E6 power
Pros
- 1000nit brightness at a budget price
- Fully customizable false color with camera presets
- 8 MySets for instant setting changes
- De-log and HDR processing with auto-rotation
Cons
- Plastic build feels cheap
- Non-standard 4mm DC power out
- Short included HDMI cables
- Slow switching between live view and playback
The osee T5+ is the monitor I recommend when someone on a forum says their budget is around a hundred dollars and they still want to shoot outside. At 1000 nits it is dramatically more usable in daylight than similarly priced indoor panels, and the 5.5-inch 1080p screen displays 1.06 billion colors with clean gradients in most shooting situations. It proves that outdoor-capable monitoring does not have to be expensive.
Two features make the T5+ feel more thoughtful than its price. First, the false color tools are fully customizable with presets matched to specific cameras, so exposure readings actually match how your camera clips. Second, the MON OS offers 8 MySets, letting you save complete monitoring configurations and switch between them instantly when your scene changes.
There is real depth here beyond the basics too: LOG and HDR processing with De-log conversion, 3D LUT upload via SD card, waveform, histogram, and vector scopes on a single page, and auto-rotation when you flip the monitor upside down on a rig. A joystick handles quick operation instead of a fiddly button cluster.
The compromises show in the details. The plastic housing feels light and a little cheap, the DC power output uses a non-standard 4mm plug, and the included HDMI cables are too short for most rigs. Switching between live view and image review is noticeably slow.
Who should buy the osee T5+
Budget filmmakers who shoot outdoors and want customizable exposure tools will get outsized value from this monitor. It suits anyone who likes dialing in a personalized monitoring setup and saving it as a preset.
What to check before buying
Plan on buying a longer HDMI micro-to-full cable since the included ones are short. If you want to power accessories from the monitor, note the 4mm DC output is non-standard and may need an adapter.
7. FEELWORLD FW759 7″ Beginner Field Monitor
FEELWORLD FW759 7″ 400nit IPS HD Screen Field DSLR Camera Monitor
7 inch IPS screen
1280x800 resolution
4K HDMI input
Focus peaking and histogram
False color and zoom
NP-F battery powered
Pros
- Biggest screen per dollar in the guide
- Lightweight and simple to set up
- Easy menu navigation for newcomers
- Useful toolkit with peaking histogram and false color
Cons
- 1280x800 resolution limits critical focus
- 400nit panel is indoor only
- Audio latency issues reported
- HDMI cable compatibility complaints
The FEELWORLD FW759 answers the most common beginner question I see: how do I get a bigger, clearer view of my frame without spending much? For around a hundred dollars you get a full 7-inch IPS screen, which is more real estate than anything else at this price. For indoor filming, YouTube setup shots, and learning the ropes of monitoring tools, it does the job.
The toolkit covers the fundamentals well. Focus peaking confirms sharpness, histogram and false color guide exposure, and zoom with nine-grid and safe frames helps with composition. Setup takes minutes, the menus are genuinely easy to figure out, and the lightweight body will not unbalance a beginner camera rig.
Power comes from the widely available NP-F series, and battery life is respectable for the class. The included sunshade is a thoughtful add at this price, even if the 400-nit panel still struggles in anything brighter than overcast conditions.
Know what you are buying, though. The 1280×800 resolution is fine for framing but soft for critical manual focus, and the 400-nit brightness limits you to indoor and shaded work. Some users report audio echoing and latency through the monitor, plus occasional HDMI cable compatibility headaches.
Who should buy the FEELWORLD FW759
New videographers, students, and indoor content creators who want maximum screen size for minimum money are the perfect fit. It also works well as a dedicated client or director monitor on a stationary indoor set.
What to check before buying
If you need to nail manual focus on fast glass or shoot in daylight, this is not the right tool and a brighter, sharper panel will serve you better. Test your HDMI cable with it early, since a few cables have caused connection issues.
8. Portkeys HD7H 7″ 1000nit Monitor
Portkeys HD7H 1000nit DSLR Camera Field Monitor 7 Inch 1280×720 IPS Camera Monitor Support 4K30p HDMI Input with Top Shortcut Keys and Sunshade
7 inch IPS screen
1280x720 resolution
1000nit matte panel
4K30p HDMI input
Anamorphic de-squeeze
Only 278g with headphone jack
Pros
- 1000nit matte anti-glare screen
- Featherweight 278g body with 7 inch screen
- Multiple quarter-inch mounts on three sides
- Headphone jack and anamorphic de-squeeze
Cons
- 1280x720 is the lowest resolution here
- No battery included
- Thin documentation
- Some durability complaints after weeks of use
The Portkeys HD7H is the cheapest monitor in this guide and still manages a feature list that embarrasses some pricier options. The matte anti-glare 1000-nit screen is genuinely excellent in sunlight, and the anti-reflective finish works better in real conditions than raw brightness numbers suggest. At 278 grams it is astonishingly light for a 7-inch panel, which matters enormously on gimbals and long handheld days.
Little professional touches add up. There is a 3.5mm headphone jack for direct audio monitoring, anamorphic de-squeeze at 1.33x, 1.5x, and 2.0x for anamorphic lenses, false color and focus peaking, a luma histogram, and quarter-inch mounting threads on three sides so you can orient it however your rig demands.
The top shortcut keys let you reach common functions without digging through menus, which is faster than the button layouts on most budget monitors. Power comes from NP-F batteries or a wide 7.4 to 24V DC input, and the ABS+PC housing has survived normal set life in my time with it.
The tradeoff is resolution. At 1280×720 this is the softest screen in the lineup, so pixel-level focus checks are off the table. There is no battery in the box, documentation is thin, and a minority of users have reported durability issues after a few weeks.
Who should buy the Portkeys HD7H
Gimbal operators and weight-conscious shooters who need outdoor visibility on a strict budget will love this monitor. Anamorphic shooters on a budget get de-squeeze features that usually cost far more.
What to check before buying
Factor an NP-F battery and charger into your total cost since none is included. If your work depends on razor-sharp focus confirmation, the 720p panel will be the limiting factor, and a 1080p or 4K option is the better buy.
How to Choose the Best Camera Monitor?
Choosing between the best camera monitors comes down to five decisions, and getting them right depends entirely on how and where you shoot. Here is the framework I use when recommending a monitor to someone.
Brightness: the nits that matter most
Brightness, measured in nits, is the single biggest factor in real-world satisfaction. A 400 to 450-nit panel like the FW568 or FW759 is fine for studios and shaded interiors but turns reflective in direct sun. Around 1000 nits, like the osee T5+ or the matte Portkeys HD7H, handles most daylight shooting, and 1600 to 2000 nits like the F5 Prox and F700 keeps working in harsh midday light. Forum users consistently say they regret buying dim monitors more than any other purchasing mistake in this category.
Screen size versus resolution
Bigger is not automatically better. A 7-inch panel like the F700 or HD7H is superb on a tripod but clumsy on a gimbal, while 5.2 to 5.5-inch monitors balance better on compact rigs. Resolution matters just as much: a 720p screen is fine for framing, 1080p is the practical standard for focus checks, and a true 4K panel like the Viltrox DC-550 makes pixel-level focus confirmation effortless.
HDMI versus SDI
Every monitor in this guide uses HDMI, which is the right call for mirrorless and DSLR cameras since they output over HDMI and micro-HDMI. SDI matters only if you work with professional cinema cameras or long cable runs, because SDI locks securely and carries signals farther without degradation. If you shoot a Sony FX6 or a broadcast body, look at SDI-equipped monitors instead.
Monitoring tools and LUT support
Focus peaking, false color, zebra, and histogram are the daily drivers, while waveform and vectorscope are what separate professional monitors from repurposed displays. LUT support lets you preview Log footage with a rec-709 look applied, which is invaluable for judging exposure and showing clients a watchable image. Check how many custom LUTs you can load if you shoot Log regularly.
Power and weight on your rig
Most monitors here run on Sony NP-F batteries, which are cheap and everywhere, while some add DC input or USB-C power bank support. Consider whether the monitor can power your camera in return, like the F700 and FW568 do, because that simplifies your rig. Weight compounds fast: a heavy monitor on a small camera or gimbal changes how the whole system handles.
Camera compatibility checklist
No competitor covers this well, so here is the short version. Confirm your camera’s HDMI output type (full, mini, or micro) and buy the right cable, since several monitors in this guide were docked for cable issues. Check whether your camera blanks its own screen when an external monitor connects, which affects how you work. Sony and Canon shooters should verify LUT accuracy or plan to load custom LUTs, and anyone wanting camera control from the monitor should confirm USB-C control support as on the Shinobi II.
Frequently Asked Questions
What is the best monitor for camera?
The NEEWER F700 is the best camera monitor overall thanks to its 2000-nit daylight-viewable 7-inch touchscreen, full professional toolkit including 3D LUTs, waveform, and false color, plus two included batteries. For most shooters on a budget, the Viltrox DC-550 offers the best mix of 4K sharpness and price.
What is the best monitor for photography?
The Atomos Shinobi II is the best pick for photography because its lightweight 5.2-inch HDR touchscreen doubles as a live view display for stills, with selfie mirror mode and USB-C camera control. The Portkeys HD7H also works well as a large, light stills display for studio work.
What is the best camera monitor in 2026?
The best camera monitors in 2026 are the NEEWER F700 for overall brightness and value, the Atomos Shinobi II for premium touch control, the Viltrox DC-550 for 4K sharpness on a budget, the FEELWORLD F5 Prox for balanced performance, and the Portkeys HD7H as the ultra-budget daylight option.
Is a camera monitor good for photography?
Yes, a camera monitor helps photography by giving you a much larger, brighter view for checking composition, histogram, and exposure before you take the shot. Studio and tethered-adjacent photographers benefit most, especially for product, portrait, and macro work where fine detail confirmation matters.
Do I need a camera monitor for video?
If you shoot video seriously, yes. A monitor gives you a larger view for critical focus, professional exposure tools like waveform and false color that no camera LCD matches, better outdoor visibility, and a screen that clients and collaborators can actually see.
Conclusion
After comparing all eight screens, our top recommendation is the NEEWER F700, whose 2000-nit brightness, complete accessory bundle, and professional toolkit make it the most capable all-around pick among the best camera monitors of 2026. The Viltrox DC-550 is the smart buy for most budgets with its genuine 4K panel, the Atomos Shinobi II rewards those who want premium touch and camera control, and the Portkeys HD7H proves you can get daylight-viewable monitoring for under a hundred dollars.
Match the monitor to where you actually shoot: brightness for outdoors, resolution for critical focus, and size and weight for how you move. Any of the picks above will be a genuine upgrade over squinting at a three-inch camera LCD.